This article first appeared in MixedMediaArt.net, written by Vicki Ross
Which came first, the chicken or the egg?
The sky is the limit for scrapbooking and journaling. I’ve often said that if not for the scrapbooking industry, fine artists would be lacking some of the tools we have today. Manufacturers created design labs to meet the demand for more papers, embellishments, texturing tools, paints, stamps, inks, books, etc. These supplies gradually made their way from the internet to craft and hobby shops…in small enough amounts to not put a strain on anyone’s budget.
Where investing in fine art supplies can easily amount to hundreds of dollars, a small beginning of scrapbooking supplies can be much less. Of course, you can become obsessive/compulsive in collecting either one! For example, fine artists pastels—the kind Degas used—can run $15-18 each…and a color selection of 750+. Major investment. Sure, there are all kinds of variations, from student grade and mid-range artists grade, all prices, all qualities. This is an extreme example, just to make the point.
Whatever kind of creative outlet you choose today…if you trace their lineage back through history you’ll find it!
- Markers with permanent ink—compare to ancient Sumi painting
- GelliPlate—monoprinting without the press. Edgar Degas famously used monoprints as the base for his pastels
- Collage—this term was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century. Just think what they might have accomplished with all the supplies currently available in today’s marketplace.
- Encaustic—one of the newest darlings on the art scene, can be used with embellishments, collage, fiber, papers, and textured or glossy surfaces. Companies have developed single color bars and pans for ease of use. New? Nope…some of the earliest Greek art was encaustic and survives today. Now, we don’t have to work days to prepare our wax and colors! Have you noticed wax products in the Ranger line?
- Acrylic Paint—developed in the 1930’s, and refined continuously, it is readily available in many qualities and for many uses beyond fine art and crafts.
- Acrylic Mediums—Degas invented his own recipe for a fixative on pastels. It is today being marketed under the name SpectraFix and is a casein (milk) based formula.
- Oil—used to require careful mixing by chemists, and prepared by apprentices in the studios. Each day the paint had to be prepared and used the same day. Early tubes involved syringes and pig bladders, then it became feasible to paint out of doors in oil.
- Tools—while it is nice (good organization required) to have bright, shiny tools of any mark-making kind, be creative! You can make embossed patterns with mixtures of cornstarch and ModPodge—Pattern Rollers with Toot-di-doos (toilet paper rolls) and acrylic mediums—sticks from the yard—sand from the beach—old paintings recycled for collage pieces—makeup brushes and sponges for blending—textured paper towel for subtle repeat pattern. Anything that will make a mark can be used!
- Zentangles—check out M.C. Escher’s work. I tried the tangles recently because all the marketing made the technique appealing.
Think outside the box! Be proud if you are a ‘crafter’…we all are! Fine Artists, thank crafters, after all, their demand helped create and bring back old techniques. No matter how intricate or simple your work, show pride in it. Research it online and you will more than likely find an old master who made his primitive tools and materials to create whatever he could dream!
Vicki Ross is focused on sharing her journey to art and how life events can shape us through creativity.www.Axully.com Vicki has always been involved deeply in the creative arts, from professional soft crafts publications (knitting/crochet/needlework) to French Hand-sewing, stenciling to macramé, oil painting to encaustics. Whatever your leaning, she believes in the healing power of creating.